[{"data":1,"prerenderedAt":8},["ShallowReactive",2],{"yjgHrroT1jmZA4f1UfdkSlwTxbdrO1flh6tvcdhIt9A":3},[4],{"documentId":5,"title":6,"content":7},"k973cq09tj8jdpxrk2lpfuxi","Tom Furse","\u003Cdiv class=\"itemFullText  \">\u003Csection class=\"section\" style=\"background-color: white; background-repeat: no-repeat; background-size: cover; background-position: left bottom; background-image: url('https:\u002F\u002Fwww.arturia.com\u002Fimages\u002Fstories\u002Ftom-furse\u002F01.jpg');\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"ratio-900 row align-items-start justify-content-start p-5\">\u003Cdiv class=\"col-12 text-white hide-sm\">\u003Ch1>Tom Furse \u003Csmall class=\"d-block\">Epileptic \u003Cbr> Darkness\u003C\u002Fsmall>\u003C\u002Fh1>\u003C\u002Fdiv>\u003C\u002Fdiv>\u003C\u002Fdiv>\u003C\u002Fsection> \u003Csection class=\"section text-white\" style=\"background-color: white;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center text-center text-black \">\u003Cdiv class=\"col-12 show-sm \">\u003Ch1>Tom Furse \u003Csmall class=\"d-block\">Epileptic \u003Cbr> Darkness\u003C\u002Fsmall>\u003C\u002Fh1>\u003C\u002Fdiv> \u003Cdiv class=\"col-md-8 col-12 mt-3\">\u003Cp class=\"h3 small\">The Horrors’ sexy and troubling melodies float up high, and one of the reasons is their masterful keyboardist Tom Furse. Take a trip with us into the epileptic darkness of sound, guided by PolyBrute’s cunning powers.\n                            \u003C\u002Fp>\u003C\u002Fdiv> \u003Cdiv class=\"col-md-10 col-12 justify-content-center mt-3\">\u003Ciframe style=\"width: 100%; aspect-ratio: 16 \u002F 9;\" src=\"https:\u002F\u002Fwww.youtube-nocookie.com\u002Fembed\u002FDwwmyynIMTY?autoplay=0&amp;controls=0&amp;disablekb=1&amp;playsinline=1&amp;cc_load_policy=0&amp;cc_lang_pref=auto&amp;widget_referrer=https%3A%2F%2Fwww.arturia.com%2Fstories%2Ftomfurse&amp;noCookie=true&amp;rel=0&amp;showinfo=0&amp;iv_load_policy=3&amp;modestbranding=1&amp;color=white&amp;enablejsapi=1&amp;origin=https%3A%2F%2Fwww.arturia.com&amp;widgetid=1&amp;forigin=https%3A%2F%2Fwww.arturia.com%2Fstories%2Ftomfurse&amp;aoriginsup=1&amp;vf=1\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\" data-gtm-yt-inspected-17=\"true\" id=\"294699980\">\u003C\u002Fiframe>\u003C\u002Fdiv>\u003C\u002Fdiv>\u003C\u002Fdiv>\u003C\u002Fsection> \u003Cdiv class=\"d-flex justify-content-center\">\u003Cimg src=\"https:\u002F\u002Fmedias.arturia.net\u002Fimages\u002Fstories\u002Ftom-furse\u002F02.jpg\" error=\"function(){return function(){}}\" class=\"img-fluid\">\u003C\u002Fdiv> \u003Csection class=\"section text-white\" style=\"background-color: black;\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center\">\u003Cdiv class=\"col-md-6 col-12\">\u003Cimg src=\"https:\u002F\u002Fmedias.arturia.net\u002Fimages\u002Fstories\u002Ftom-furse\u002F03.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive\">\u003C\u002Fdiv> \u003Cdiv class=\"col-md-6 col-12 mt-3 theme-brute\">\u003Ch2>Ra(n)ge Against the Machine    \n                            \u003C\u002Fh2> \u003Cp>Tom Furse and Faris Badwan started the English garage rock band in London in the early 2000s, playing covers by Joy Division, Screaming Lord Sutch, and The Sonics. They have since evolved their sound into a throbbing mix of dark rock, punk, and synth soundscapes, which is where Tom’s experiments come in.\n                            \u003C\u002Fp> \u003Cp class=\"border-block\">At first, what makes the PolyBrute exciting is the kind of the stuff I’ve played before, it’s just all the sounds that I want. It can be clean or it can be dirty.\u003C\u002Fp> \u003Cp>With instant access to 768 preset slots, including patches from world-renowned sound designers, the sonic universe of this beast is as colorful or as dark as you want it to be.\n                            \u003C\u002Fp>\u003C\u002Fdiv> \u003Cdiv class=\"col-md-6 col-12 mt-3 theme-brute\">\u003Cp class=\"border-block\">Having that range of character is just what I need, because I’m pulling on a decade and a half of synthesizer experience.\n                            \u003C\u002Fp> \u003Cp>Tom shares he’s owned plenty of synths across the years and has played most of them, including the rare gems, such as the DX1 or the CS-80.\n                            \u003C\u002Fp> \u003Cp class=\"border-block\">I’ve used them all, and they’re great. But what I need is really just one keyboard. In an ideal world, I have one synthesizer that can go to all these places that I wanna go to.\n                            \u003C\u002Fp> \u003Cp>With 7 EQ shapes, 6 polyphonic voices, Chord mode, and its brainiac Matrix, PolyBrute is built to serve the undiscovered sound. It has options you won’t get lost in, but options you’ll find yourself in.\n                            \u003C\u002Fp> \u003Cp class=\"border-block\">I don’t think you should be able to get this many sounds out of one keyboard. It’s not fair on the other keyboards!\n                            \u003C\u002Fp>\u003C\u002Fdiv> \u003Cdiv class=\"col-md-6 col-12 mt-3\">\u003Cimg src=\"https:\u002F\u002Fmedias.arturia.net\u002Fimages\u002Fstories\u002Ftom-furse\u002F04.png\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive\">\u003C\u002Fdiv>\u003C\u002Fdiv>\u003C\u002Fdiv>\u003C\u002Fsection> \u003Cdiv class=\"d-flex justify-content-center\">\u003Cimg src=\"https:\u002F\u002Fmedias.arturia.net\u002Fimages\u002Fstories\u002Ftom-furse\u002F05.jpg\" error=\"function(){return function(){}}\" class=\"img-fluid\">\u003C\u002Fdiv> \u003Csection class=\"section theme-brute\">\u003C!----> \u003C!----> \u003C!----> \u003Cdiv class=\"container\">\u003Cdiv class=\"row justify-content-center align-items-center my-3\">\u003Cdiv class=\"col-md-6 col-12\">\u003Ch2>Bipolar Phonics\u003C\u002Fh2> \u003Cp>The analog powerhouse was built to express fearless travels across sound. The option to morph between two presets on one control creates an endless platter of sweet spots:\u003C\u002Fp> \u003Cp class=\"border-block\">One of the things that I really love about this keyboard is the fact that you can have two sounds set up, an A sound and a B sound. And then you can morph between those two settings by just using either the morphing pedal - or you can assign it with anything.\u003C\u002Fp> \u003Cp>The result is a wondrous trip beginning in a full-bodied, dissonant chord taken from a haunted church, to a sense of relief in hopeful fairyland where the ground is made of clouds. To take this to the next level, a 96-point digital patchway with up to 32 destinations is just waiting to be fully exploited. You can easily route any of the modulation sources and controllers to influence dozens of parameters at once. Let the sinus dance begin!\n                            \u003C\u002Fp>\u003C\u002Fdiv> \u003Cdiv class=\"col-md-6 col-12 mt-3\">\u003Cimg src=\"https:\u002F\u002Fmedias.arturia.net\u002Fimages\u002Fstories\u002Ftom-furse\u002F06.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive\">\u003C\u002Fdiv> \u003Cdiv class=\"col-md-6 col-12 mt-3\">\u003Cimg src=\"https:\u002F\u002Fmedias.arturia.net\u002Fimages\u002Fstories\u002Ftom-furse\u002F08.jpg\" error=\"function(){return function(){}}\" alt=\" \" class=\"img-responsive\">\u003C\u002Fdiv> \u003Cdiv class=\"col-md-6 col-12 mt-3\">\u003Ch2>Hands-on, distractions off\u003C\u002Fh2> \u003Cp>Having a tactile experience with a piece of gear makes all the difference to a creative workflow. Inspiration often comes through the body, and keeping connected with it is one of the best ways to maintain the creative spark:\u003C\u002Fp> \u003Cp class=\"border-block\">The PolyBrute has an expressive and tactile way of manipulating the sound. I feel like that’s a much more complete instrument than, let’s say, an MS-10. I know they’re very different synthesizers, but for the longest time, I felt kind of ‘caged in’ by synths sometimes.\n                            \u003C\u002Fp> \u003Cp>PolyBrute breaks away from these past limitations and opens up a world where you can bend anything, your way.\u003C\u002Fp> \u003Cp>Having its complex, yet accessible genius at hand inspires deep sonic play: “Cool, I can open up the filter. Great, it’s got velocity, okay -  that’s a few extra ways of messing with it.” He reflects on the fact that this is another reason why PolyBrute stands out:\n                            \u003C\u002Fp> \u003Cp class=\"border-block\">Having tactile, intuitive ways of controlling the sound and shaping the sound flexibly is rare.\n                            \u003C\u002Fp> \u003Cp>The sensual keybed seduces any player with its premium velocity and pressure-sensitive keybed, allowing pitch wheel and assignable mod wheel.\n                            \u003C\u002Fp> \u003Cp class=\"border-block\">It’s got a really nice keybed. You can get a lot of feel out of it, like a piano.\n                            \u003C\u002Fp>\u003C\u002Fdiv> \u003Cdiv class=\"col-md-6 col-12 mt-3 theme-brute\">\u003Ch2>The One\n                            \u003C\u002Fh2> \u003Cp>With Arturia’s love child synth, nourishing one’s synthmania is both a matter of indulgence and productivity. The intuitive workflow and the soundscaping possibilities are what makes this creature a responsive tool ready to pounce with beats:\n                            \u003C\u002Fp> \u003Cp class=\"border-block\">It just removes a lot of the stop gaps from actually having the idea of a track or a sound, and just lets you actually do that without me having to go into the cupboard and pull out some synth that I haven’t used for ages.\n                            \u003C\u002Fp> \u003Cp>No more dusting off unused pieces of gear - it’s time to enjoy a condensed world of magic, an all-in-one key to the world of unexplored sounds.\n                            \u003C\u002Fp> \u003Cp class=\"border-block\">For me, the big draw is that it sounds really good, it’s very flexible, and it does everything that I need it to do.\n                            \u003C\u002Fp>\u003C\u002Fdiv> \u003Cdiv class=\"item-50 text-white text-center sm-100\">\u003Cdiv class=\"mycontainer sm-100\">\u003Cimg src=\"https:\u002F\u002Fmedias.arturia.net\u002Fimages\u002Fstories\u002Ftom-furse\u002F07.png\" error=\"function(){return function(){}}\" class=\"img-responsive\">\u003C\u002Fdiv>\u003C\u002Fdiv>\u003C\u002Fdiv>\u003C\u002Fdiv>\u003C\u002Fsection> \u003C\u002Fdiv>",1784111755428]