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Capture the symphonic majesty of the early icons of analog, the razor-sharp waveforms of synthwave, the fluttering-tape textures of classic pop, and everything in between - the synthesizer hall of fame at your disposal. 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Bring pictures to life instantly with 32 expertly-curated presets utilising PolyBrute’s enormous timbral versatility. From slow-burning tense drones to adrenaline-fuelled action sequences, this sonic toolkit is built with the composer in mind.",[134,135,136],{"product_id":20,"slug":15,"sku":21,"generation":22},{"product_id":24,"slug":17,"sku":25,"generation":22},{"product_id":27,"slug":28,"sku":29,"generation":22},[138,141,144],{"title":36,"file":139,"description":10,"url":140},"Cinematic_Main.mp3","https:\u002F\u002Fmedias.arturia.net\u002Fproducts\u002Fcinematique\u002Fpreset\u002Faudio_examples\u002FCinematic_Main.mp3",{"title":40,"file":142,"description":10,"url":143},"Cinematique_Presets_1.mp3","https:\u002F\u002Fmedias.arturia.net\u002Fproducts\u002Fcinematique\u002Fpreset\u002Faudio_examples\u002FCinematique_Presets_1.mp3",{"title":44,"file":145,"description":10,"url":146},"Cinematique_Presets_2.mp3","https:\u002F\u002Fmedias.arturia.net\u002Fproducts\u002Fcinematique\u002Fpreset\u002Faudio_examples\u002FCinematique_Presets_2.mp3",{"Cinematic & FX":148},[149],"Cinematic",[151],"Cinematic & FX",[149],[58],[155,156,157,158,159,160,161,162,163,164,165,166,167,168,169,170,171,172,173,174,175,176,177,178,179,180,181,182,183,184,185,186],"53 Arietis","A Hint Of DX","Aliased Keys","Alpha Centauri","AmbianT Brute","AT Ripples","Attraction","Black Hole","Bow Shocks","Breezes Of June","Carbonated","Dark Space","Desert Lucy","Diffuse Noisy Lead","Evolving Pad","Faulting Arp","Horsehead Nebula","Infinit Land","It Dopples","Last Border","Low Fi Organ","Malamente","Mallet Arpeggio","Morph Melodics","Morphee Obscurity","Orion Nebula","Post Rock Guitar","Question And Answers","Shifting 5ths","Shifting Sands","Strata Pad","Trapezium",[188,189,191,192,195,197,200,201],{"type":97,"nb":98},{"type":100,"nb":190},8,{"type":103,"nb":98},{"type":193,"nb":194},"organ",2,{"type":106,"nb":196},11,{"type":198,"nb":199},"sound effects",5,{"type":111,"nb":112},{"type":114,"nb":98},[203],{"slug":15,"nb":11},[205,206],{"product_id":24,"slug":17,"product_ref":119,"product_sku":25,"generation":22,"count":11,"product_name":120},{"product_id":27,"slug":28,"product_ref":122,"product_sku":29,"generation":22,"count":11,"product_name":123},{"id":208,"product_id":209,"product_slug":210,"name":211,"sound_designer":212,"permalink":10,"presets_count":213,"baseline":214,"intro_phrase":215,"description":216,"plugins":15,"bank_type":10,"published":16,"new":10,"ordering":10,"artist_id":10,"presets_description":10,"hardware_slug":17,"hosts":217,"issued_on":221,"product_range":31,"product_family":10,"product_classification":32,"buyable":33,"inapp_product":16,"stage":10,"is_free":16,"demo_songs":222,"subgenres_by_genres":230,"genres":234,"subgenres":235,"title_color":56,"bg_color":56,"previewable":236,"all_presets":237,"sounds_distribution":262,"plugins_distribution":270,"prices":10,"instruments":272},243,466,"luminescent","Luminescent","Anthony Baldino ,",24,"Light in the polyphonic abyss","Evolving, generative, glitchy, bright","This selection of 24 presets, created by Anthony Baldino (Rogue One - A Star Wars Story, Avengers - Infinity War, Venom) explores the bottomless fathoms of PolyBrute’s sound, pushing our morphing synth to new sonic depths. 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Known for his synth interpretations of works by Holst, Grieg, and Debussy, as well as collaboration with John Williams, his influence has permeated the furthest reaches of electronic music - and now it’s touched down with PolyBrute. 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From evolving arps and cinematic bass pulses to soaring leads, delicate plucked textures, and immersive pads, each sound is crafted for warmth, resonance, and dynamic movement. Morph between contrasting moods, explore the nuances of Full Touch control, and perform in real time with the the Ribbon and 3-dimensional Morphee - an expressive toolkit for film scoring and contemporary composition alike.",[431,432],{"product_id":27,"slug":28,"sku":29,"generation":22},{"product_id":20,"slug":15,"sku":21,"generation":22},"2025-09-29","Lab",[436,440],{"title":437,"file":438,"description":10,"url":439},"Morphing Dawn - Jaia","Morphing_Dawn_Jaia_4c5c409c7c.mp3","https:\u002F\u002Fmedias.arturia.net\u002Fproducts\u002Fpolymorphia\u002Fpreset\u002Faudio_examples\u002FMorphing_Dawn_Jaia_4c5c409c7c.mp3",{"title":441,"file":442,"description":10,"url":443},"Brutal Motion - Kuba Sojka","Brutal_Motion_Kuba_Sojka_293ace35d9.mp3","https:\u002F\u002Fmedias.arturia.net\u002Fproducts\u002Fpolymorphia\u002Fpreset\u002Faudio_examples\u002FBrutal_Motion_Kuba_Sojka_293ace35d9.mp3",{"Cinematic & FX":445},[149],[151],[149],[],[450,451,452,453,454,455,456,457,458,459,460,461,462,463,464,465,466,467,468,469,470,471,472,473,474,475,476,477,478,479,480,481,482,483,484,485,486,487,488,489,490,491,492,493,494,495,496,497,498,499,500,501,502,503,504,505,506,507,508,509,510,511,512,513],"A Presence","Amp Growl","Another Dimension","Arpeggio Classico","Arrakis Thunder","Bad Place","Bad Wolf","Berlin 76","Black Energy","Boom","Carpenter 12","Cinematic Touch","Cosmic Worlds","Crystal Cave","Dark Abyss","Drama Bass","Droppicato","Drops Out","Dystopia","Electric Duduk","Electric Dulcimer","Eternal Light","Exotic Wind","Feedback Keys","Galactic Thrones","Glitch Star","High Voltage","It's Coming","Jade Spirit","Lagoon","Loading Transmission","Lost Orchestra","Lost Tapes","Magic Spice","Metallic Blow","Moody Shadows","Moonlit Drift","Mystic Mirage","New City","New Land","Noise Room","Phazkeyz","Plankton","Pulsing Suspense","Reese Engine","Rezo Reese","Road To Nowhere","Sahara Breeze","Space Breeze","Spinning Mind","Stand Up","SubPulse","Tape Pluck","The Miracle","The Other Side","The Wind Instruments","Toy C-Piano","Transition","Twilight Shifting","Velvet Vibe","Want More","Where I Am","Wild Suspense","Working On A Volcano",[515,516,517,518,520,522,523,524,526,528,529],{"type":94,"nb":190},{"type":97,"nb":98},{"type":109,"nb":194},{"type":519,"nb":194},"electric piano",{"type":100,"nb":521},13,{"type":103,"nb":190},{"type":193,"nb":98},{"type":106,"nb":525},12,{"type":111,"nb":527},10,{"type":198,"nb":104},{"type":114,"nb":98},[531],{"slug":15,"nb":426},[533],{"product_id":27,"slug":28,"product_ref":122,"product_sku":29,"generation":22,"count":426,"product_name":123},{"product_name":123,"slug":28},{"documentId":536,"title":537,"preset_description":538,"artist":539,"file":544},"m9dy490kfzrhxvf783e43mg6","Granular Pad","Granular Pad preset is a fav one. I love the grainy, noise texture and the textured depth of that sound. It shows excellently the tonal variability of the Polybrute 12 synthesizer.",{"documentId":540,"name":541,"image_name":542,"bio":543},"vrn9i6g0ibxyuqncezniu6zu","Arovane","\u002Fimages\u002Fartists\u002Farovane.jpg","My name is Uwe Zahn, aka Arovane. I have been a musician for over thirty years and have also worked as a sound designer for various companies for the last ten years. My current musical projects are a collaboration with Taylor Deupree on 12k and solo albums on LAAPS, Puremagnetik and DAUW.",{"documentId":545,"url":546},"hb346jlhdp20169zqmuo5lpr","https:\u002F\u002Faudios.arturia.net\u002Faudios\u002FGranular_Pad_f7bcfbacfa.mp3",{"documentId":548,"title":549,"preset_description":550,"artist":551,"file":556},"f054svbygd0rh7is6x3569kh","Before Creation","I really like the 'Before Creation' preset. It's an expressive and wide dub timbre playing a simple sequence (made by the LFO 1 using\na saw waveform). It's sent into phasing and a long stereo delay.\nExperimenting with simple chords that rely on only two or three notes and subtly varying the amount of pressure on each key creates these dubby notes going thru the long stereo delay, that would be very tedious to recreate manually.",{"documentId":552,"name":553,"image_name":554,"bio":555},"k3720sl8tnssj5ghsaywzg70","Victor Morello","\u002Fimages\u002Fartists\u002Fvictor_morello.jpg","I'm an electronic music producer, sound designer and computer enthusiast.\nI've worked for 5 years as an in-house sound designer for Arturia, working on both the sound and ergonomics of products like MatrixBrute, Pigments and PolyBrute. I now create experimental music as Zero Crossing Point, exploring strong emotions and abrasive textures. In my spare time, I also create video games and experiment with 3D graphics.\n",{"documentId":557,"url":558},"wz2ccbu9inp1ox3tv08egb3d","https:\u002F\u002Faudios.arturia.net\u002Faudios\u002FBefore_Creation_4d10ce3781.mp3",{"documentId":560,"title":561,"preset_description":562,"artist":563,"file":568},"dq2sa0oy86g8g6pbxpqymkz4","The Opening","The Opening represents all the power and subtlety of the Polybrute 12's sound, as well as being a fine tribute to vintage analog synthesizers! The A layer is a very characteristic string sound that demonstrates the quality and thickness of the analogue\nsound. The Envelope Touch mode lets you play the VCA and filter envelopes from a very stretched strings ensemble sound by gently pressing one (or more) note(s), to a faster, shorter envelope if you play staccato... Layer B, meanwhile, has a more modern ambient pad sound, using a subtle, more metallic and ethereal timbre. For me, this sound is a beautiful illustration of the Polybrute 12's identity.",{"documentId":564,"name":565,"image_name":566,"bio":567},"zutrep2b87x8pv9io7m7q2zy","Jean-Michel Blanchet","\u002Fimages\u002Fartists\u002Fjean-michel-blanchet.jpg","Jean-Michel Blanchet is a sound designer and music producer, passionate about electronics and synthesizers since the ‘70s. He started by creating sounds on memory-less analog instruments such as the Oberheim OB-1 (his first synthesizer), the SEM 2 Voices and OBX, ARP Odyssey, and the Prophet 5...and never stopped!",{"documentId":569,"url":570},"jzqv2p10yo1fn30d98r6ehkw","https:\u002F\u002Faudios.arturia.net\u002Faudios\u002FThe_Opening_567629f68f.mp3",{"documentId":572,"title":573,"preset_description":574,"artist":575,"file":580},"pg1ql88pc8dgug014l28kp4w","Deep Coral","Deep Coral is one of my favorite presets because it\ncaptures both the mellow character and sharp resonance of the filter. It responds perfectly to dynamics, changing the pulsation of the sound. Using it, you can create many dimensions of sound, and the sound itself may give the impression of using several presets at once.",{"documentId":576,"name":577,"image_name":578,"bio":579},"uec608eg327pyym9lw1rbbrn","Kuba Sojka","\u002Fimages\u002Fartists\u002Fkuba-sojka.jpg","Music producer, live performer, and sound designer. For years, He teach on sound synthesis, modern instruments, and music production, collaborated with many labels, notably in Detroit and Chicago, focusing on techno and house. Specializing in live performances using just hardware, He contributed to commercial projects, such as creating music for Cyberpunk 2077's.",{"documentId":581,"url":582},"mr3buvrtpi887qeepq48me95","https:\u002F\u002Faudios.arturia.net\u002Faudios\u002FDeep_Coral_1cdc8e8b40.mp3",[584,589],{"documentId":585,"quote":586,"updatedAt":587,"locale":588},"gylcrcmrg5piih6bb87y6o1f","I really like the Polybrute. It is powerful as an analog\nsynthesizer but can also sound very delicate and digital in a positive way. Sounds are very easy to shape with the filters, the mod matrix and the new touch envelope function enables extremely nuanced playing. I'm always surprised at the variety of tones and possibilities this instrument offers.","2026-01-06T15:56:59.650Z","en",{"documentId":590,"quote":591,"updatedAt":592,"locale":588},"m3njgwvxhw8dzi6505ot6aa7","For me it's interesting to get new tones out of an instrument. I am interested in unusual aspects of a sound. My method is to rely on decades of experience with synthesizers and then experiment. to explore sonic boundaries.","2026-01-06T15:56:59.694Z",[594,598],{"documentId":595,"quote":596,"updatedAt":597,"locale":588},"l2f2pfd0dm90khvk3j78l6i8","My task was to create sounds that relied on the \"Envelope Touch\" aftertouch mode, which lets you basically continuously \"create\" the envelopes with your fingers as you press the keys, instead of relying on a fixed duration. Not only you win a tremendous amount of time along the way, since you avoid tedious work on volume automation, but it also makes you cultivate the physical proximity and feedback you get from playing an acoustical instrument. Playing Pad sounds this way was a \"wow\" moment for me!","2026-01-06T15:56:59.819Z",{"documentId":599,"quote":600,"updatedAt":601,"locale":588},"v9d58slnd2zd255c8suuqlbn","Since I had to focus on the specific Envelope Touch mode, I knew I wanted to create a couple of processed sounds that use distortion as a main component of the sound. I also created presets that were pretty dry and simple, allowing users to create movement using with their own playing styles.","2026-01-06T15:56:59.860Z",[603,607],{"documentId":604,"quote":605,"updatedAt":606,"locale":588},"govb0ldedxq84isuussbyzhc","When I started using the Polybrute 12, I was immediately seduced by the possibilities of expression offered by the new after-touch modes! The Full Touch mode provides rich additional dimension for modulating one or more parameters of the instrument simply by playing the aftertouch on a note. The sound of the preset can then evolve to take on a whole new dimension, as morphing does in a more global sense. The Envelope Touch mode\nis also an extraordinary innovation, enabling you to switch very quickly within the same sound from a very stretched sound by pressing gently on one (or more) notes, to a snappier, shorter envelope if you play staccato.","2026-01-06T15:56:59.976Z",{"documentId":608,"quote":609,"updatedAt":610,"locale":588},"fnmbqdyx42jbbvw13dvrb2kz","Before creating the sounds on the Polybrute 12, I started by identifying the ways in which the synth's new functions could be used. Polyphonic after-touch modes, 12-voice polyphony, polyphonic unison mode. I then oriented the creation of presets around these features. I started with an 'Init' sound, chose the basic timbre for the VCOs and filters, then 'modelled' the sound using, in particular, the Envelope Touch mode to modulate the filter and VCA envelopes, then I used morphing to affect my sound using the Morphee controller. I could also use the 'Dual'\nmode to create a much richer ambience or sound.","2026-01-06T15:57:00.019Z",[612,616],{"documentId":613,"quote":614,"updatedAt":615,"locale":588},"omtpaz7akpmo3qnq2k5n3bd1","It is surprising what experience PolyBrute 12 gives in terms of expression and dynamics. With this in mind, it is on par with acoustic instruments. And the additional fact that we have as many as 12 voices of polyphony in an analog synthesizer gives greater possibilities in synthesis and gives an organic feel\nwhen creating sounds.","2026-01-06T15:57:00.134Z",{"documentId":617,"quote":618,"updatedAt":619,"locale":588},"peckkezz7blim5j6gkswopg5","My approach was to imagine, for each preset I created, an actual instrument, what it might look like even in its most futuristic form. This made it easier for me to program parameters such as aftertouch, velocity and touch strip, it was really challenging\nand a lot of fun.","2026-01-06T15:57:00.176Z",{"documentId":536,"title":537,"file":621,"artist":622,"variant":10},{"documentId":545,"url":546},{"documentId":540,"name":541},{"documentId":548,"title":549,"file":624,"artist":625,"variant":10},{"documentId":557,"url":558},{"documentId":552,"name":553},{"documentId":560,"title":561,"file":627,"artist":628,"variant":10},{"documentId":569,"url":570},{"documentId":564,"name":565},{"documentId":572,"title":573,"file":630,"artist":631,"variant":10},{"documentId":581,"url":582},{"documentId":576,"name":577},1784111514324]